I’m half way through writing up a bit of a series about the equipment and processes I use for workshops, rehearsals and how I use Ableton and QLAB in those situations. I used a similar set up in rehearsals for The Unreturning and eventually programmed everything into QLAB, but will wait to go into detail about that until I’ve finished.
There was a lot of content to create for the show, we recorded the excellent actors for some part of the Sound Design too, and worked with a bunch of different music tracks. It was an extremely good example of how to integrate Spotify into the process, as I suggested in a previous post, it can be such a useful way of collaborating and evolving a musical palette. Our playlist started with Anna Jordan (Writer), who added some tracks as she wrote the piece, which allowed us into her world and how she was feeling about the piece. Then Neil added as he read the and I joined, threw in my own thoughts and we all continued to add to the playlist even up to the final days of previews, it was part of my job to then expand on this and integrate some of the musical palette into the show.
I like to be part of the rehearsal process early on as I enjoy working with everyone in the rehearsal room and allowing the whole team to influence parts of my Sound Design process, and I hope the Sound Design can influence decisions in other departments too, its fair to say it’s not always possible to be around full time, but it’s always super interesting to see what inspiring ideas come out of that collaboration.