sound

Sound Design Scrapbook #12

SOUND DESIGN

I came back across this super informative interview with Olivier Award winner Gareth Owen the other day talking through some of the basic principles behind Sound Design for Musicals. Congratulations go to Gareth again this year winning the Olivier Award for ‘Come From Away’ - Full Article here: https://variety.com/2019/legit/podcasts/broadway-sound-design-gareth-owen-1203160482/


TONBENDERS / SOUNDGIRLS

Soundgirls.org support women across the sound industry from Theatre Sound to Film post Production and beyond. In this Tonebenders podcast talks more about that and how they are making that support available. Followed by a panel discussion moderated by Anne-Marie Slack, and on the panel is Karol Urban, Kate Finan, Onnalee Blank and April Tucker. Talking about how they began in Sound, share stories and advice.


SOUND DESIGN

Ben Burtt talks through some of the famous sound effects from Star Wars in lots of detail…


SOUND EFFECTS

Hiss and Roar have put together this amazing sounding library of Thunder Sheets. Check it out here.

Sound Design Scrapbook #10

PODCAST

This is from a while back. Soundworks at it again with an insightful and inspiring podcast with Composer Ludwig Göransson and supervising sound editor Steve Boeddeker talking about their collaboration of score and sound design on Black Panther. The mix of traditional African rhythms and instrumentation, alongside the futuristic wakanda tech.


RADIO / VIDEO GAMES

I randomly tuned into BBC radio 6 on Sunday, having not listened in months, to come across ‘A history of video game music episode 2’. It’s super interesting and explains a whole bunch about developing new sounds based on the games emotional storyline and taking inspiration from the visuals of a game too. Some top composers offering some insight into the process.

https://www.bbc.co.uk/programmes/m0002y9q 


TV SOUND DESIGN

I’ve been watching ‘The Good Place’ recently and am officially in awe of D'Arcy Carden and Janet. Particularly the ‘Jane(s)’ episode where she plays all the other main characters, as Janet, as well as a good place and neutral Janet … which is a ridiuclous feat. Thought I’d share a small piece of Sound Design which took me by suprise!


The Unreturning Trailer

A couple of weeks ago I had the pleasure of combining two styles work - Theatre and Trailers - and worked on a short score and Sound Design for Frantic Assembly’s The Unreturning trailer.

The show is Directed by Neil Bettles, Designed by Andrzej Goulding, Lighting Designed by Zoe Spurr and Costume Designed by Lily Arnold, an awesome team! I Sound Designed the show and it’s now on a UK tour having just finished at it’s third venue the Liverpool Everyman picking up some great responses. Next up is the Traverse in Edinburgh. It arrives in London in January as part of the second half of the tour, so catch it there if you can. The show is ace and I can’t recommend it enough!

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Here’s the trailer made by Tea Films and a version of the audio seperatly for anyone interested. I used Spitfire Audio’s Chamber Strings, a bit of Omnisphere for the simple synths and percussion and Cinesample’s Tina Guo Acoustic Cello, one of the most playable VST’s I’ve tried!


Scrapbook #6

INTERVIEW

Mary Anne Hobbs interviewed Ryuichi Sakamoto on BBC Radio 6. Talking about how he began his life in Music and his process. "Spontinety is my faith"...


APPLE

Apple have released an updated Macbook Pro which is able to house 32gb RAM and up to 4tb SSD drive... it comes at a steep price though!

The more samples I've been using recently, the more RAM I've been needing. I'm hoping that one day it will be the portable version of a nMac Pro I've been waiting for, but for now its a movement in the right direction

https://www.macrumors.com/2018/07/12/apple-launches-2018-macbook-pro-lineup/


SOUND DESIGN

One of the shows I Sound Designed which transfered over the NY to St Ann's Warehouse is now available to watch online as part of Donmar Warehouse's initiative to get these shows out to a wider audience. This was the third piece in a Trilogy of Shakespeare plays led by an all female cast of women around the concept of a female prison. https://www.bbc.co.uk/iplayer/episode/p0696f99/the-tempest


INTERVIEW

Jason Graves, the award-winning composer of the Dead Space soundtracks showing his studio and some interesting instruments he's used to create the unique sound of Dead Space...

 

 

Scrapbook 3

PODCAST

Twenty Thousand Hertz released a super interesting podcast a couple of weeks ago featuring the Data Driven DJ. They talk to Brant Guichard, a man who has heard "The Music" during his seizures since he was a young boy. Taking his EEG readings during a seizure and splicing up a mixture of Imogen Heap'sHide and Seek’, philharmonic samples and experimental percussion. The Data Driven DJ (Brian Foo) created this beautiful piece by using the readings representing the seizure to control the dynamics and intensity (That's a huge over simplification) of the layers...


INTERVIEW

Native instruments posted an interview with Ben Frost talking about the methods he used for this new album The Centre Cannot Hold.
 


NOISE

After living in NY for the last two months, I returned home to a strong awakening of how loud it was there. Not just the hustle and bustle of people, but vehicles, sirens, advertising... it reminded me of this article which describes the high dB levels we encounter on the London Underground system... In essence, get yourself noise cancelling headphones or ear protection for the commute!

http://www.bbc.co.uk/news/uk-england-london-42791299


Sonic Arcade Exhibition NYC Museum of Art and Design

I recently visited the 'Sonic Arcade: Shaping Space with Sound' exhibition at the Museum of Art and Design in New York and it was pretty ear opening. As the name suggests, there was a real focus on the spaces in which the instillations took place and how the audience and exhibits interacted with one another physically.

Naama Tsabar's Propagation (Opus 3), is a guitar like structure on the wall of one room, the wall has a cavity behind it, the guitar strings are amplified through speakers focused into the wall cavity essentially making the room the resonant chamber for the instrument.

Julianne Swartz created blown glass sculptures and found their resonant frequencies using small speakers tucked away inside each piece, they were spread around the room and seemingly randomly resonated. The effect was a beautiful set of sculptures with a physically engaging quality.

In one room you're invited to put on headphones and play on 4 different synthesizers, This part of the exhibition called 'Subject to Gesture' and was curated by Robert Aiki Aubrey Lowe. The Museum website has an interesting interview with him talking about his take on sound 'For Lowe, voltage is an unpredictable, malleable and living material whose manipulation is capable of carving the air with sound.'

Audio Media International 2017 Interview

Adam Savage. Editor of Audio Media International Magazine wrote to ask a few questions on my work on The Encounter with Gareth Fry, as well as about the challenges we faced on Harry Potter and the Cursed Child, and asked me to talk a little about the industry as a whole. I felt privileged to be included in the May/June 2017 edition of Audio Media International. Thanks to Adam for getting in touch!

Here's the link to the online version of the interview:

http://www.audiomediainternational.com/interview/interview-pete-malkin/06534

Beware of Pity and The Kid Stays in the Picture

This week I've been working on two Complicité pieces. One is 'Beware of Pity' at the Barbican Theatre, we made the show over a year ago in Berlin at the Schaubühne Theatre with 7 of their ensemble of actors and it's in London this week.

Its been a very swift couple of days to get that up and running whilst rehearsing the next Complicité show, which will open in a few weeks at The Royal Court called 'The Kid Stays in the Picture.'

Beware of Pity will be live streamed on YouTube this Sunday and it'll be available to watch for following two weeks all at the following link:

http://www.complicite.org/live-stream.php

Check it out if you can, it's been a pleasure working with the amazingly talented Schaubühne actors who really are what make the show.

Enjoy!

Beware of Pity

Beware of Pity

The Kid Stays in the Picture

The Kid Stays in the Picture