The show is Directed by Neil Bettles, Designed by Andrzej Goulding, Lighting Designed by Zoe Spurr and Costume Designed by Lily Arnold, an awesome team! I Sound Designed the show and it’s now on a UK tour having just finished at it’s third venue the Liverpool Everyman picking up some great responses. Next up is the Traverse in Edinburgh. It arrives in London in January as part of the second half of the tour, so catch it there if you can. The show is ace and I can’t recommend it enough!
Olafur Arnalds released his latest album re:member last month and it’s went stright onto my monthly playlist. It’s another beauitful album. He’s also been working with a generative mechanism where his piano plays itself based on the notes he plays initially, looks like it’s triggered from some Ableton fun, you can here it in action on the album and see it in the video below too. Excited to see him and his team live later this year again!
The last few months I’ve been fairly flat out concentrating on Sound Designing Frantic Assembly’s The Unreturning with Director Neil Bettles Directing a completely awesome company in one of the most collaborative processes I’ve been involved in for some time, it was such a delight to be part of and I felt very lucky to be involved.
This was a bit of a dream working process for me, being in the rehearsal room from day one (for 3 out of 4 weeks of rehearsals) and being part of the creation process even before that with Neil, Andrzej Goulding (Set and Video Designer), Zoe Spurr (Lighting Designer) and Lily Arnold (Costume Designer) and the rest of the team, it’s exactly how I love to work.
The show opened in Plymouth on Monday 24th September and will be on tour around the UK, you can find the dates on Frantic’s website here, and info on the whole team there too.
I’m half way through writing up a bit of a series about the equipment and processes I use for workshops, rehearsals and how I use Ableton and QLAB in those situations. I used a similar set up in rehearsals for The Unreturning and eventually programmed everything into QLAB, but will wait to go into detail about that until I’ve finished.
There was a lot of content to create for the show, we recorded the excellent actors for some part of the Sound Design too, and worked with a bunch of different music tracks. It was an extremely good example of how to integrate Spotify into the process, as I suggested in a previous post, it can be such a useful way of collaborating and evolving a musical palette. Our playlist started with Anna Jordan (Writer), who added some tracks as she wrote the piece, which allowed us into her world and how she was feeling about the piece. Then Neil added as he read the and I joined, threw in my own thoughts and we all continued to add to the playlist even up to the final days of previews, it was part of my job to then expand on this and integrate some of the musical palette into the show.
I like to be part of the rehearsal process early on as I enjoy working with everyone in the rehearsal room and allowing the whole team to influence parts of my Sound Design process, and I hope the Sound Design can influence decisions in other departments too, its fair to say it’s not always possible to be around full time, but it’s always super interesting to see what inspiring ideas come out of that collaboration.
Apple have released an updated Macbook Pro which is able to house 32gb RAM and up to 4tb SSD drive... it comes at a steep price though!
The more samples I've been using recently, the more RAM I've been needing. I'm hoping that one day it will be the portable version of a nMac Pro I've been waiting for, but for now its a movement in the right direction
One of the shows I Sound Designed which transfered over the NY to St Ann's Warehouse is now available to watch online as part of Donmar Warehouse's initiative to get these shows out to a wider audience. This was the third piece in a Trilogy of Shakespeare plays led by an all female cast of women around the concept of a female prison. https://www.bbc.co.uk/iplayer/episode/p0696f99/the-tempest
Twenty Thousand Hertz released a super interesting podcast a couple of weeks ago featuring the Data Driven DJ. They talk to Brant Guichard, a man who has heard "The Music" during his seizures since he was a young boy. Taking his EEG readings during a seizure and splicing up a mixture of Imogen Heap's ‘Hide and Seek’, philharmonic samples and experimental percussion. The Data Driven DJ (Brian Foo) created this beautiful piece by using the readings representing the seizure to control the dynamics and intensity (That's a huge over simplification) of the layers...
After living in NY for the last two months, I returned home to a strong awakening of how loud it was there. Not just the hustle and bustle of people, but vehicles, sirens, advertising... it reminded me of this article which describes the high dB levels we encounter on the London Underground system... In essence, get yourself noise cancelling headphones or ear protection for the commute!
I still haven't managed to see it yet, but came across a cool breakdown of the multiple layers of audio in a scene from Bladerunner 2049
As I put Yo-Yo ma into my 1st scrapbook, I carried on listening to his works and to "The Goat Rodeo Sessions" album and found some awesome live studio performance videos.
I came across this Mini spotify player that sits in your notification centre, pretty neat and just stays open, links to the album art of Spotify and will open spotify when you hit play if it's not already there!
Awesome live performance from Homay and Oliver at Spitfire here
For those familiar with PaulStretch, you might have seen this update to a plugin version of the Extreme time stretching software.
I supported a Kickstarter campaign for a film called 'In Pursuit of Silence' a few years ago and they recently shared a bunch of 'silence' related articles.. One pointed to a new film called Sancturies of Silence which looks really interesting and it must have been a fun one to be part of.